A Tree Could be a Paintbrush.

Over a period of two years, Katharina Grosse and author Klaus Dermutz met in the artist's Berlin studio to conduct a series of very concentrated, lengthy conversations. This volume brings together ten in-depth interviews that delve deeper into central themes of Grosse's artistic work, such as the haptic image, the border, reversal, repetition without origin, interruption, the visible and the invisible, and time.