Post-Cinematic Theatre and Performance

Häftad, Engelska, 2014

Av P. Woycicki

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A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.

Produktinformation

Utgivningsdatum2014-01-01
Mått140 x 216 x 19 mm
Vikt354 g
FormatHäftad
SpråkEngelska
SeriePalgrave Studies in Performance and Technology
Antal sidor268
Upplaga14001
FörlagPalgrave Macmillan
ISBN9781349477364

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List of Figures Series Editors' Preface Acknowledgements 1. The Post-Cinematic Landscape 2. Décalage and Mediaphors in Robert Lepage's Elsinore and The Andersen Project 3. Acinematic Montage in Roadmetal Sweetbread and Mare's Nest 4. Guilty pleasures and intermedial archaeologies in Wooster Group's House/Lights and Hamlet 5. The Ethics of Perception in Wunschkonzert 6. Disorienting Landscapes in Hotel Methuselah 7. Pedipulating 'footage' in Duncan Speakman's As if it were the last time 8. Landscapes and Aporias in Lars Von Trier's Dogville 9. Conclusion Bibliography Index

“It is an illuminating contribution to previous research into the intermedial relation between theatre and film and a thoughtful response to new aesthetics emerging from their interplay. … It is certainly more geared towards and intellectually rewarding for advanced scholars and expert readers in the areas of theatre and performance studies, film studies and media theory.” (Claudia Georgi, Journal of Contemporary Drama in English, Vol. 4 (2), November, 2016)