Alaia/Kuramata

Shiro Kuramatas work is replete with the ancient and fascinating history of Japanese decorative arts and the modern eagerness for Japanese simplicity and structural simplicity that has strongly influenced the dogma of form follows function. More than the pieces themselves, whats important is their stories, which are connected by the continuous thread of non-materialisation. My strongest wish is to feel free of all gravity, of all ties, he declared; I want to float. This approach runs imbues all of his work with a kind of spiritual quest. His attempts to defy gravity find formal expression in transparent materials such as glass, acrylc and metal mesh, as well as in his experiments with the incorporation of light. By using these materials, he explores links between lightness and gravity, matter and non-matter. These relationships shimmer in his designs, producing a calm, contemplative atmosphere redolent with gentle aesthetic humanity and a refined sense of poetry. Azzedine Alaa was a great admirer of Shiro Kuramata, who died in 1991, and organised an exhibition of his work at the Fondation Alaa in 2005. Twenty years later, and for the first time ever, the Fondation Azzedine Alaa has decided to celebrate one of the great designers of his time by associating Kuramatas work with a careful selection of pieces by Alaa chosen for the materials, forms or approaches they share. The lurex knit of a simple gown responds to the knitted metal mesh of a chair, while the transparent acrylic of a shelf unit echoes the feather-light muslin of an haute couture creation. Some twenty pieces of furniture and exceptional objects designed by Shiro Kuramata (1934-91) are presented in the book. In parallel, almost twenty haute couture creations by Azzedine Alaa demonstrate his poetry of form, his radical tailoring, his subtle choice of colour and his refined use of transparency. Imbued with a great sense of lightness, the pieces on display reflect an eagerness for abstraction shared by both artists. All the pieces by Shiro Kuramata and Azzedine Alaa are from the collections of the Fondation Azzedine Alaa.