American Tropics

In 1997, when the New York Times described Filipino American serial killer Andrew Cunanan as appearing to be everywhere and nowhere, Allan Punzalan Isaac recognized confusion about the Filipino presence in the United States, symptomatic of American imperialisms invisibility to itself. In American Tropics, Isaac explores American fantasies about the Philippines and other unincorporated parts of the U.S. nation that obscure the contradictions of a democratic country possessing colonies.Isaac boldly examines the American empires images of the Philippines in turn-of-the-century legal debates over Puerto Rico, Progressive-era popular literature set in Latin American borderlands, and midcentury Hollywood cinema staged in Hawaii and the Pacific islands. Isaac scrutinizes media coverage of the Cunanan case, Boy Scout adventure novels, and Hollywood films such as The Real Glory (1939) and Blue Hawaii (1961) to argue that territorial sites of occupation are an important part of American identity. American Tropics further reveals the imperial imaginations role in shaping national meaning in novels such as Carlos Bulosans America Is in the Heart (1946) and Jessica Hagedorns Dogeaters (1990), Filipino American novels forced to articulate the empires enfolded but disavowed borders.Tracing the American empire from the beginning of the twentieth century to Philippine liberation and the U.S. civil rights movement, American Tropics lays bare Filipino Americans unique form of belonging marked indelibly by imperialism and at odds with U.S. racial politics and culture.Allan Punzalan Isaac is assistant professor of English at Wesleyan University.