Aperture 250

This spring Aperture magazine presents We Make Pictures in Order to Live an issue that nods to the late, celebrated writer Joan Didion and looks at photographys relationship to storytelling. We live entirely, especially if we are writers, Didion writes in her iconic essay The White Album, by the imposition of a narrative line upon disparate images, by the ideas with which we have learned to freeze the shifting phantasmagoria which is our actual experience. Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair ONeill, as well as features on Adraint Bereal and Charles Teenie Harris.