Biblical Reception 3 (2014)

ART
Philip F. Esler, Pacino di Bonaguida's Tree of Life: Interpreting the Bible in Paint in Early Fourteenth-Century Italy
Catherine C. Taylor, The Pignatta Sarcophagus: Late Antique Iconography and the Memorial Culture of Salvation
Yaffa Englard, The Sixth Day of Creation: Literal Problems, Visual Expressions, and Theological Interpretations
John Byron, Who Killed Cain? Interpretive Solutions to a Theological Problem
Dan Rickett, The Art of Separation: Visual and Textual Exegesis of the Separation of Abram and Lot
Kalle Lundahl, The Bible in Paintings by Mario Schifano and Vincent van Gogh
David Tollerton, Divine Violence Caught on Camera: Negotiating Text and Photography in Broomberg and Chanarin's Holy Bible
Christopher Meredith, Civic Bible as Civil Breach: Reading Doris Salcedo's Shibboleth

LITERATURE
Mikael Larsson, Model of Modesty? Sexual Politics and/in/after the Book of Ruth

MUSIC
Valrie Nicolet-Anderson, Leonard Cohen's Use of the Bible: Transformations of the Sacred

RECEPTION
Holly Morse, What's in a Name? Analysing the Appellation 'Reception History' in Biblical Studies
Elisabeth Birnbaum and Susanne Gillmayr-Bucher, The Wise King's Vanity: The Motif in the Reception of King Solomon
Agnethe Siquans, Origen's Fifth Homily on Exodus: A Narratological Approach to Ancient Biblical Interpretation
Arie Versluis, The Early Reception History of the Command to Exterminate the Canaanites