Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante

Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists Cherre Moraga, Carmelita Tropicana, Coco Fusco, and No Bustamante challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize the subject in literary theory.