Czanne and the Post-Bionian Field

By inviting a conversation between them, this book offers a nuanced introduction both to Czannethe father of modern artand perhaps the most vital body of theory in contemporary psychoanalysis, post-Bionian field theory, as it has been evolving in Italy in the hands of Antonino Ferro, Giuseppe Civitarese, and others. Czanne and Bion, each insisting on his own truths, spearheaded quite new directions in painting and in psychoanalysis. Both point us towards a crucial insight: far from being isolated, self-contained subjects, we fundamentally exist only within a larger interpersonal field. Czannes painting can give us a direct experience of this. For the Italian field analysts, building on Bions work, the field is accessed through reverie, metaphor, and dream, which now come to occupy the heart of psychoanalysis. Here primitive proto-emotions that link us all might be transformedas Czanne transformed his sensationsinto aesthetic form, into feelings-linked-to-thoughts that in turn enrich and expand the field. The book draws on the words of artists (Czanne himself, Mann), philosophers (Merleau-Ponty, Bergson), art historians and theorists (Clark, Smith, Shaw), as well as psychoanalysts (Bion, Ferro, Civitarese, and others), and it is the first to focus on one particularand seminalpainter as a way of exploring this aesthetic and field dimension in depth and detail. Aimed at psychoanalysts, psychotherapists, artists, art historians, and the general reader, it suggests how far art and contemporary psychoanalysis are mutually generative.