Destreza del Desesperado

Milita Molina: a Belgian hole in Argentine literature, read a headline in 2013. We are before a cult author of the latest South American literature. A translator specializing in American-Sto-American narrative, her unwavering dedication to the formula enunciated by Osvaldo Lamborghini, "author of a single text", turns all her work into a coherent and corrosive formulation that sparkles with genius. His performative poetry and his countercultural narrative adhere to each other in diffuse limits and punctured by fissures full of black humor and ingenious crudeness. "The reader hesitates, intrepidly moves forward but will never recover from this accident: what am I reading?" asserted Nicolás Rosa. Milita Molina "takes refuge in the untimely, in the inopportune," her hard drug in the face of the anguish of having a body: sick, of course. "Words are embedded in me and the more morbidly sick and damned and damned the more they rage with their rum rum." Beckett, Mansilla, Kerouac, Tsvietáieva, Lamborghini, Copi, James, Baudelaire, Macedonio, Bowles, Kierkegaard, Hernández, Austen... Awareness of the damage that does not renounce and squeezes. And he sings.