Double Jeopardy

Traditionally, criticism of plays from the Yan Dynasty (12601368) has been dominated by the so-called poetic and socialist schools. Double Jeopardy instead rigorously evaluates a group of plays by aesthetic criteria generated from within the works themselves. It examines seven courtroom plays with special attention to language and the manipulation of dramatic charactersundoubtedly the most reliable indicators of the playwrights strength and craftsmanship in such a stylized art form as Yan tsa-ch drama. The analytical method adopted in Double Jeopardy is textual explication of the conventions of genre and the individual characteristics of each play. The innovation and creative vitality of each playwright emerges through close scrutiny of selected conventional aspects of courtroom dramas: the functions and placement patterns of lyric, verse, and prose as well as the custom of a single singing role and its implication for the presentation of dramatis personae. Because Yan drama is driven by conventions, Perng demonstrates a method that can be applied not just to judgment reversal plays but to Yan dramatic criticism as a whole. In pursuing a method of textual explication, Perng provides a basis on which a larger framework of criticism of Yan drama may be built.