Ein Blick Auf Die Ruckseite Der Leinwand

This contribution to cultural studies with specific reference to the media inquires into the role of film as gender technology. Taking movies like -Pretty Woman- and -Copykill- as examples, it indicates realization mechanisms in classical narrative approaches to cinema that definitively present naturalized femininity as 'otherness'. But as discourse the film has always been imperfective. A look at present-day approaches to movie-making, like Sally Potter's -Orlando-, Susan Streitfeld's -Female Perversions-, or Yvonne Rainer's -Murder and murder-, clearly points up tendencies toward representing femininity as a concept that is problematic from the outset.