Ekphrasis, Memory and Narrative after Proust

This book explores the relationship between ekphrasis and memory in the novel. Drawing on la recherche du temps perdu, Leonid Bilmes considers how Vladimir Nabokov, W. G. Sebald, Ben Lerner, Ali Smith and Lydia Davis have employed and reshaped Prousts way of depicting the recollected past. In Ada, Austerlitz, 10:04, How to Be Both and The End of the Story, memory images are variously transposed into intermedial descriptions that inform the narrators story, just as they serve to shape the readers own remembrance of each of these narratives. Ekphrasis in the novel after Proust, Bilmes argues, acts as a distinct site within the text where past and present, self and other, image and text, seeing and hearing, are ever on the brink of reconciliation. The book surveys a wide field of critical inquiry, encompassing classical theorizations of ekphrasis, philosophical explorations of memory and visuality, as well as seminal studies of image-text relations by, among others, W. J. T. Mitchell, Jean-Luc Nancy and Liliane Louvel. Bilmess compelling dialogue with theory and literature evinces the underexplored bond between ekphrasis and memory in the contemporary novel.