Experiencing Film Music

Of all the elements that combine to make movies, music sometimes seems the forgotten stepchild. Yet it is an integral part of the cinematic experience. Minimized as mere background music, film scores enrich visuals with emotional mood and intensity, underscoring directors intentions, enhancing audiences reactions, driving the narrative forward, and sometimes even subverting all three. Trying to imagine The Godfather or Lawrence of Arabia with a different score is as difficult as imagining them featuring a different cast. In Experiencing Film Music: A Listeners Companion, Kenneth LaFave guides the reader through the history, ideas, personalities, and visions that have shaped the music we hear on the big screen. Looking back to the music improvised for early silent movies, LaFave traces the development of the film score from such early epic masterpieces as Max Steiners work for Gone With the Wind, Bernard Herrmanns musical creations for Alfred Hitchcocks thrillers, Jerry Goldsmiths sonic presentation of Chinatown, and Ennio Morricones distinctive rewrite of the Western genre, to John Williams epoch-making Jaws and Star Wars. LaFave also brings readers into the present with looks at the work over the last decade and a half of Hans Zimmer, Alan Silvestre, Carter Brey, and Danny Elfman. Experiencing Film Music: A Listeners Companion opens the ears of film-goers to the nuance behind movie music, laying out in simple, non-technical language how composers and directors map what we hear to what we seeand, not uncommonly, back again.