Fashion and Material Culture in Victorian Fiction and Periodicals

This attractively illustrated new collaborative work examines dress, style and performance as a significant pleasure of fiction. It illuminates many significant factors of Victorian life.

 

The book examines the ways in which Victorian writers, illustrators, periodicals, designers and clothing manufacturers have critiqued the social ideologies inherent in dress, fashion and imaginative engagement with clothes.

This is the first volume in the New Paths in Victorian Popular Fiction and Culture series being published by EER. The series comprises specially commissioned work based on innovative or under-researched perspectives on Victorian literature and culture.

 

As an aesthetic medium, fashion expresses a person’s life course, their ideas, desires and beliefs, and fiction itself is a site where these issues can be resolved.

Not only were fictional characters made recognisable through their dress, but readers of serial fiction encountered them in between adverts, cartoons, print and patterns. Thus, how dress is depicted in fiction responds to its material paratext.

 

Victorian dress and literature equally licensed or discouraged particular forms of clothing, fantasies and moralities about men and women, as well as distinctions between generations. As a result, this volume’s multidisciplinary approach engages with theoretical perspectives on dress history, periodical publications, archives and dress.

The book is shaped in four distinct sections. Writers engage with fashion and material culture using an interdisciplinary methodology, as well as through fashion’s multiple performances as depicted in text, image and design.

Part 1, ‘Fashion and Hierarchies of Knowledge’ examines how periodicals, journalism and couture established ‘fashion’ as a discipline.

Part 2’s ‘Artistic Engagement with Fashion’s Material Culture’ focuses on how fabric, printed patterns and illustrations critique social constructions of beauty and femininity.

Part 3, ‘Conduct and Clothing’, considers novelistic depictions of fashion with regard to scientific, racial and gender identities. These are cross-related to reader consumption and behaviour.

Part 4, ‘Consumption and Fashionable Performance’, examines periodicals, genres and drama as performative in their own right.