Gego

An authoritative study of Gego, whose distinctive modernist practice sits at the intersection of architecture, design, and the visual arts This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (191294), known as Gego. In locating the artists contribution to postwar art and her important place in the global conversations around modernity, Mnica Amor explores her intermedial practice as a model of cultural complexity at the edge of modernity. In situating Gegos work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gegos work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticulreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gegos radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy.