Harmonia Cantica Divina or the Kentish Divine Harmonist. Being [sic] a new set of Psalm Tunes and Anthems, all in Four Parts, for the use of Country Churches. to [sic] Which is Prefixed, a Short

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T160925

The titlepage and all after p.1 and the index are engraved; the list of subscribers, preface and introduction are in letterpress.

London : printed for the author & sold by T. Skillern. Sold also by the author, Simmons & Kirkby, Flackton & Marrable, & T. Smith, Canterbury, [1783?]. xvi,91,[3]p.,IV plates : music ; obl.4