Huong Ng: Ungrafting

Ng tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and grafts Huong Ng (born 1979) is a Hong Kongborn artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ng turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, graftinga procedure that involves cutting and splicing different species into a single plantserves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyn Phan, and conversations between Ng and Aline Lo and Evyn L Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngs exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.