In So Many Words

This volume will mark a new trend in dealing with womens varied experiences of life: individual introductions situate the narrator in a context and then her voice takes over, with no intervention from the editors (except to provide footnotes wherever necessary). The personal narrative be it an autobiography, a letter or a diary has come to be recognised as an acceptable data source in history and social science. Literary critics and students of literature too find considerable use in reading the personal writings of poets, fiction and crime writers. In this book, readings of personal narratives help in painting various images of lives that we can only know at second hand. The mlange includes memoirs, published articles, portraits from memory, a collection of essays , and an oral interview. In all, the self was the focus. The writings of Sailabala, Li Gotami, and Shakuntala go beyond a recounting of their lives and deal with spiritual and travel experiences. Three of the essays are excerpts from published autobiographies Sarala Devi Chaudhuranis Jeevaner Jharapata (Lifes Fallen Leaves), Kalpana Dutts Reminiscences and Sailabala Dass A Look Before and After. Vidyagauri Nilkanths writings are essays and a selection of amazingly candid letters exchanged with her husband. Anasuya Sarabahis is an interview in Gujarati with niece Gira and Monicas a selection from an unpublished memoir. Li Gotami, whose original name was Rutty Petit, travelled to Manasarovar, and a few of the magazine articles on this amazing journey have been reproduced here. Whichever form a woman chooses, writing about her self, is emancipatory; she may be a person who has so far received little attention from the family or the world. Or she may be one who is a well-known public figure yet little is known about her childhood. So she writes about many selves life is not about one coherent self but rather one of many lives and experiences. In other words,