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From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
- Illustratör: 30 b&w photos
- Format: Inbunden
- ISBN: 9780415116978
- Språk: Engelska
- Antal sidor: 212
- Utgivningsdatum: 1996-08-01
- Förlag: Routledge