Jimmy's Faith

A novel approach to understanding the work of James Baldwin and its transformative potential The relationship of James Baldwins life and work to Black religion is in many ways complex and confounding. What is he doing through his literary deployment of religious language and symbols? Despite Baldwins disavowal of Christianity in his youth, he continued to engage the symbols and theology of Christianity in works such as The Amen Corner, Just Above My Head, and others. With Jimmys Faith, author Christopher W. Hunt shows how Baldwins usage of those religious symbols both shifted their meaning and served as a way for him to build his own religious and spiritual vision. Engaging Jos Esteban Muozs theory of disidentification as a queer practice of imagination and survival, Hunt demonstrates the ways in which James Baldwin disidentifies with and queers Black Christian language and theology throughout his literary corpus. Baldwins vision is one in which queer sexuality signifies the depth of loves transforming possibilities, the arts serve as the (religious) medium of knitting Black community together, an agnostic and affective mysticism undermines Christian theological discourse, androgyny troubles the gender binary, and the Black child signifies the hope for a world made new. In disidentifying with Christian symbols, Jimmys Faith reveals how Baldwin imagines both religion and the world otherwise, offering a model of how we might do the same for our own communities and ourselves.