Llegaras a Danmara

On her deathbed, Valeria's mother gives her a photo signed on the back: 'Giuliano Emiliozzi', the man who abandoned them. Years later, Valeria rereads that same name in an old magazine published in the city of Danmara, where she decides to travel to find her supposed father. Valeria's story is the chronicle of an investigation, but also the construction of a memory far from home. The protagonist's voice will eventually give way to Giuliano's: some diaries written at the end of childhood, the testimony of a few crucial weeks in the life of a child who, in some way, will mark Valeria's destiny. You will reach Danmara' weaves a multi-voice story that has identity as its central theme. In the work there is room for complementary versions, changes of register and literary vocation. The biographical narrative, as an artifact in continuous revision and support of life, is questioned in the novel and at the same time vindicated. The story appears as an intuitive and reflexive tool, a tapestry that language weaves to relate us to that other we cannot avoid being.