Lockdown Shakespeare

This edited collection offers the first in-depth analysis and sourcebook for Lockdown Shakespeare. It brings together scholars of stage, screen, early modern and adaptation studies to examine the work that emerged during the Covid-19 pandemic and considers issues of form, liveness, reception, presence and community. Interviews with theatre makers and artists illuminate the challenges and benefits of creating new work online, while educators consider how digital tools have facilitated the teaching of Shakespeare through performance. Together, the chapters in this book offer readers the definitive work on the performance and adaptation of Shakespeare online during the pandemic. From The Show Must Go Online, which presented Shakespeares First Folio via YouTube, to Creation Theatre and Big Tellys interactive The Tempest and Macbeth, which used Zoom as their stage, the book documents the variety and richness of work that emerged during the pandemic. It reveals how, by taking Shakespeare online in new and innovative ways, the theatre industry sparked the evolution of new forms of performance with their own conventions, aesthetics and notions of liveness. Among the other productions discussed are Arden Theatre Companys A Midsummer Nights Dream, Tender Claws The Under Presents: Tempest, The Shakespeare Ensembles What You Will, Merced Shakespearefests Ricardo II, CtrlAltRepeats Midsummer Night Stream, Sally McLeans Shakespeare Republic: #AllTheWebsAStage (The Lockdown Chronicles) and Justina Taft Mattoss Moore A Pacific Island Othello.