Michelangelos Inner Anatomies

This book challenges the notion that Michelangelo, renowned for his magnificent portrayals of the human body, was merely concerned with superficial anatomythat is, the parts of the body that can be seen from the outside. Christian K. Kleinbub provides a fresh perspective on Michelangelos art of the human figure by investigating what he calls the artists inner anatomical poetics, revealing these beautiful bodies as objects of profound intellectual and spiritual significance. Michelangelos Inner Anatomies illuminates how Renaissance discourses on anatomical organs and organ systems informed Michelangelo's figures, linking the interior experiences of his subjects to physiological processes associated with sex, love, devotion, and contemplation, among other thoughts and feelings. Kleinbub presents new and compelling interpretations of some of Michelangelos most significant works of painting, sculpture, poetry, and architecture. The books case studies cover the full range of Michelangelos prodigious outputincluding such iconic works as the Sistine Ceiling, Dying Slave, and Last Judgmentand reconstructs what Michelangelo knew of internal anatomy and how he projected that knowledge into his most important works. Drawing upon theological, poetic, philosophical, and scientific texts, Michelangelo created a context-dependent, adaptable practice that could be adjusted according to the needs of an individual situation or commission and manipulated to embody, literally and figuratively, a variety of meanings. Deeply researched and convincingly argued, this study heralds a significant shift in thinking about the Italian Renaissance body as it pertains not only to the work of Michelangelo but also to the era as a whole.