Muammad Als Soft Power in Europe

The profusion of literature on Muammad Al's Egypt (18051849) makes the Bshs epoch significantly well-documented; however, one facet is perceptibly brushed out or rather overlooked. Published in 1945, Gaston Wiets Mohammed Ali et Les Beaux-Arts has been the only book deliberating the visual and artistic aspects of Muammad Als reign, and while it offers an extended survey of the Ottoman governors iconography and visual relics, the book wants the rudiments of critical analysis. The trivial number of works covering this facet of the Bshs sovereignty has made it barely examined, rendering the research field with a significant epistemological gap, namely regarding art and historiographypatronage for political triggers. Embarking from where Wiet's work has halted, this book attempts to critically analyze the artistic component of Muammad Als reign by dealing with the pictorial crops of the nineteenth centurys orientalist-travelers, assessing their role within the context of contemporaneous trends in Ottoman and European diplomacy and tracing Muammad Als early attempts for using pictorial propaganda and historiography in order to claim political legitimacy and to attain European recognition. The book conducts an in-depth analysis of the Bshs historiographic making process with a focus on how text worked art and visual politics. The book takes an innovative and interdisciplinary approach, which commingles tools of visual analysis and contextual investigation, in its consideration of the aspects of Muammad Al Bshs foreign policy, this book closely examines topics associated with cultural systems, modernization, traditionalism, and changeability in Egypt of the nineteenth century, while assessing the impact of global connectedness not only on Muslim cultures and societies but also on European public opinion through highlighting how Muslim rulers had adapted appealing themes and employed cultural magnets in their visual propaganda to fit within the pervasive international diplomatic trends.