Nihilism and Negritude

There are two common ways of writing about Africa, says Clestin Monga. One way blames Africas ills on the continents history of exploitation and oppression. The other way blames Africans themselves for failing to rise above poisonous national prejudices and resentments. But patronizing caricatures that reduce Africans to either victims or slackers do not get us very far in understanding the complexities and paradoxes of Africa today. A searching, often searing, meditation on ways of living in modern Africa, Nihilism and Negritude dispels the stereotypes that cloud how outsiders view the continentand how Africans sometimes view themselves. In the role of a traveler-philosopher, Monga seeks to register the picturesque absurdity of daily life in his native Cameroon and across the continent. Whether navigating the chaotic choreography of street traffic or discoursing on the philosophy of caf menus, he illuminates the patterns of reasoning behind everyday behaviors and offers new interpretations of what some observers have misunderstood as Africans resigned acceptance of suffering and violence. Monga does not wish to revive Negritude, the once-influential movement that sought to identify and celebrate allegedly unique African values. Rather, he seeks to show how daily life and thoughtwitnessed in dance and music, sensual pleasure and bodily experience, faith and mourningreflect a form of nihilism developed to cope with chaos, poverty, and oppression. This is not the nihilism of despair, Monga insists, but the determination to find meaning and even joy in a life that would otherwise seem absurd.