Playing in the Shadows

Playing in the Shadows considers the literature engendered by postwar Japanese authors robust cultural exchanges with African Americans and African American literature. The Allied Occupation brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This same influx fostered the creation of organizations such as the Kokujin kenky no kai (The Japanese Association for Negro Studies) and literary endeavors such as the Kokujin bungaku zensh (The Complete Anthology of Black Literature). This rich milieu sparked Japanese authorsNakagami Kenji and e Kenzabur are two notable examplesinterest in reading, interpreting, critiquing, and, ultimately, incorporating the tropes and techniques of African American literature and jazz performance into their own literary works. Such incorporation leads to literary works that are black not by virtue of their representations of black characters, but due to their investment in the possibility of technically and intertextually black Japanese literature. Will Bridges argues that these fictions of race provide visions of the way that postwar Japanese authors reimagine the ascription of race to bodiesbe they bodies of literature, the body politic, or the human body itself.