Plunging the Ocean

Plunging the Ocean engages with the voluminous content of the Kathsaritsgara, a text meant for courtly entertainment, locating the various points of its retelling. The volume weaves gender as the

discursive mesh with various themes such as caste, class, occupations, control and flow of resources or wealth, religious practices, sexuality and power structures to highlight the discourse of the text itself. In their

creation and negotiation with the past, the narratives are seen as crucially demonstrating the importance of ‘social space’; in the organization of space itself and in the reflection of social relations of production

and reproduction. The conclusion highlights the contradictions inherent in the characters and plots, in the folk antecedents and monarchical elite appropriation of the kaths, in conformity and subversion. The

structures of power that create systems of knowledge are essentially projected as ominously omnipresent in the ‘Ocean of Stories’.