Skönlitteratur
Pocket
Reflections upon Childhood and Adolescence - Intertextual Dialogue in "The Cement Garden"
Anna Wilczewska
1219:-
Uppskattad leveranstid 5-10 arbetsdagar
Fri frakt för medlemmar vid köp för minst 249:-
Thesis (M.A.) from the year 2011 in the subject English Language and Literature Studies - Literature, University of Gdansk, course: British literature, intertextuality, language: English, abstract: Within the full spectrum of various literary theories offered by modern criticism,
the theory of intertextuality deserves a particular attention. This ambitious concept,
proposed by Julia Kristeva in the 1960's, shed new light on the understanding and
approach to a literary text. Influenced by Bakhtin's theory of dialogism, the French
scholar suggested a new model of communication which consists of two axes:
horizontal, involving communication between subject and addressee, and vertical which
is in an interaction between a text and a context. The two axes, as she claimed, coincide
which stresses the fact that "each word (text) is an intersection of word (texts) where at
least one other word (text) can be read" (Kristeva in: Allen: 2000, 39). She further drew
a conclusion that "any text is constructed like a mosaic of quotations; any text is the
absorption and transformation of another" (Kristeva in: Allen: 2000, 39). Consequently,
we can assume that any literary text does not exist on its own, but is rather in various
ways linked with other literary texts.
Barthes further develops Kristeva's original concept and states that:
[...] a text is [...] a multidimensional space in which a variety of writings, none of them
original, blend and clash. Text is a tissue of quotations drawn from innumerable
centuries of culture [...] (Barthes in Allen: 2000, 13).
The text exists only in respect to other, prior literary texts, called intertexts, with which
the new text enters into a discourse. Literary plots, genres, stylistic devices, different
cultural symbols and images, methods of narration and many other aspects of a literary
work already existing in the literary tradition become a part of new text. (Allen: 2000,11) In this way a new literary text is always enriched by its intertexts wh
the theory of intertextuality deserves a particular attention. This ambitious concept,
proposed by Julia Kristeva in the 1960's, shed new light on the understanding and
approach to a literary text. Influenced by Bakhtin's theory of dialogism, the French
scholar suggested a new model of communication which consists of two axes:
horizontal, involving communication between subject and addressee, and vertical which
is in an interaction between a text and a context. The two axes, as she claimed, coincide
which stresses the fact that "each word (text) is an intersection of word (texts) where at
least one other word (text) can be read" (Kristeva in: Allen: 2000, 39). She further drew
a conclusion that "any text is constructed like a mosaic of quotations; any text is the
absorption and transformation of another" (Kristeva in: Allen: 2000, 39). Consequently,
we can assume that any literary text does not exist on its own, but is rather in various
ways linked with other literary texts.
Barthes further develops Kristeva's original concept and states that:
[...] a text is [...] a multidimensional space in which a variety of writings, none of them
original, blend and clash. Text is a tissue of quotations drawn from innumerable
centuries of culture [...] (Barthes in Allen: 2000, 13).
The text exists only in respect to other, prior literary texts, called intertexts, with which
the new text enters into a discourse. Literary plots, genres, stylistic devices, different
cultural symbols and images, methods of narration and many other aspects of a literary
work already existing in the literary tradition become a part of new text. (Allen: 2000,11) In this way a new literary text is always enriched by its intertexts wh
- Format: Pocket/Paperback
- ISBN: 9783656394211
- Språk: Engelska
- Antal sidor: 96
- Utgivningsdatum: 2013-03-20
- Förlag: Grin Verlag