Rowan and Martin's Laugh-In

The highest-rated network program during its first three seasons, comedy-variety show Rowan and Martins Laugh-In (NBC, 19681973) remains an often overlooked and underrated innovator of American television history. Audiences of all kinds - old and young, square and hip, black and white, straight and queer - watched Laugh-In, whose campy, anti-establishment aesthetic mocked other tepid and serious popular shows. In Rowan and Martins Laugh-In, author Ken Feil presents the first scholarly investigation of the series whose suggestive catch-phrases ""sock it to me,"" ""look that up in your FunknWagnalls,"" and ""here comes the judge"" became part of pop culture history. In four chapters, Feil explores Laugh-Ins newness, sophisticated style, irreverence, and broad appeal. First, he considers the shows indulgence of ""bad taste"" through a strategy of deliberate ambiguity that allowed audiences to enjoy countercultural, anti-establishment transgression and, reassuringly, conveyed the sense that it represented the establishments investment in containing such defiant delights. Feil considers Laugh-Ins camp, otherness, and ""open secrets"" as well as the shows conflicted positions on the ""private"" issues of taste, sexuality, lifestyle, and politics. Sexual swingers, stoned hippies, empowered African Americans, feminists, and flamboyantly ""nellie"" men all filled Laugh-Ins routine roster, embodied by cast members Jo Anne Worley, Lily Tomlin, Chelsea Brown, Alan Sues, Johnny Brown, and Judy Carne, along with regular guests Flip Wilson, Sammy Davis Jr., and Tiny Tim. Related to these icons, Laugh-In reflected on hotly politicized current events: militarism in Vietnam, racist discrimination in the U.S., Civil Rights and Black Power, birth control and sex, feminism, and gay liberation. In its playful put-ons of the establishment, parade of countercultural types and tastes, and vacillation between identification and repulsion, Feil argues that Laugh-Ins intentional ambiguity was part and parcel of its inventiveness and commercial prosperity. Fans of the show as well as readers interested in American television and pop culture history will enjoy this insightful look at Rowan and Martins Laugh-In.