The Citys End

Long before 9/11, visions of the destruction of New York City were a part of Americas collective imagination From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the citys end have been prolific and diverse. Why have Americans repeatedly imagined New Yorks destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New Yorks development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each eras destruction genre has reflected the citys economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans perceptions of New York and of cities in general.