The Darkroom

One must make films with this knowledge: theres no point anymore. Let film meet its end, thats the only cinema. The Darkroom contains the script for Marguerite Durass 1977 radically experimental film Le camion (The Truck). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Grard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple facultiesnot only the visual and the aural, but also memory, imagination, and desire. Also included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Durass aesthetic, philosophical, and political thinking.