The Forest

The Forest: Politics, Poetics, and Practice focuses on the forest as a theme in contemporary art. The full-color catalog accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. The show features contemporary works of art by more than thirty artists from North and South America, Europe, Asia, Africa, and Australia. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Starting with politicsthe first of its three organizing themesthe exhibition examines works that take a political approach to the forest and nature. Germanys Joseph Beuyss lithograph Save the Woods (1972) anchors a contemporary collection of worksby An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among othersthat look at issues of war, nuclear threat, colonialism, industrialization, and deforestation. Poetics investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). Practice focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany). The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.