After earning a PhD at Harvard, Anne Gillain taught courses on French cinema at Wellesley College. She met François Truffaut in 1979 while writing a memoir on his films and remained in touch with in until his death in 1984. This was the prelude to a series of books that have been translated in English by Alistair Fox: François Truffaut: The Lost Secret, Truffaut on Cinema. She also published A Companion to François Truffaut, a volume of articles edited in collaboration with Dudley Andrew.

• Foreword by Martin ScorseseThe Secret Rediscovered: Preface by Michel Marie Foreword Les Mistons (1958)The 400 Blows (1959) Shoot the Piano Player (1960) Jules and Jim (1962) Antoine and Colette (1962)The Soft Skin (1964) Fahrenheit 451 (1966) The Bride Wore Black (1967) Stolen Kisses (1968)Mississippi Mermaid (1969) The Wild Child (1970) Bed & Board (1970) Two English Girls (1971)A Gorgeous Girl Like Me (1972) Day for Night (1973) The Story of Adele H (1975) Small Change (1976)The Man Who Loved Women (1977) The Green Room (1978)Love on the Run (1979) The Last Metro (1980)The Woman Next Door (1981)Confidentially Yours (1983)AppendixList of Works Cited Index

Anne Gillain's book is phenomenal. I dived into every page and learned a thousand things; never before had I understood the importance of Truffaut's work so well. Truffaut invented a world of cinema to which Anne Gillain has found the key.

After earning a PhD at Harvard, Anne Gillain taught courses on French cinema at Wellesley College. She met François Truffaut in 1979 while writing a memoir on his films and remained in touch with in until his death in 1984. This was the prelude to a series of books that have been translated in English by Alistair Fox: François Truffaut: The Lost Secret, Truffaut on Cinema. She also published A Companion to François Truffaut, a volume of articles edited in collaboration with Dudley Andrew.

• Foreword by Martin ScorseseThe Secret Rediscovered: Preface by Michel Marie Foreword Les Mistons (1958)The 400 Blows (1959) Shoot the Piano Player (1960) Jules and Jim (1962) Antoine and Colette (1962)The Soft Skin (1964) Fahrenheit 451 (1966) The Bride Wore Black (1967) Stolen Kisses (1968)Mississippi Mermaid (1969) The Wild Child (1970) Bed & Board (1970) Two English Girls (1971)A Gorgeous Girl Like Me (1972) Day for Night (1973) The Story of Adele H (1975) Small Change (1976)The Man Who Loved Women (1977) The Green Room (1978)Love on the Run (1979) The Last Metro (1980)The Woman Next Door (1981)Confidentially Yours (1983)AppendixList of Works Cited Index

Anne Gillain's book is phenomenal. I dived into every page and learned a thousand things; never before had I understood the importance of Truffaut's work so well. Truffaut invented a world of cinema to which Anne Gillain has found the key.

After earning a PhD at Harvard, Anne Gillain taught courses on French cinema at Wellesley College. She met François Truffaut in 1979 while writing a memoir on his films and remained in touch with in until his death in 1984. This was the prelude to a series of books that have been translated in English by Alistair Fox: François Truffaut: The Lost Secret, Truffaut on Cinema. She also published A Companion to François Truffaut, a volume of articles edited in collaboration with Dudley Andrew.

• Foreword by Martin ScorseseThe Secret Rediscovered: Preface by Michel Marie Foreword Les Mistons (1958)The 400 Blows (1959) Shoot the Piano Player (1960) Jules and Jim (1962) Antoine and Colette (1962)The Soft Skin (1964) Fahrenheit 451 (1966) The Bride Wore Black (1967) Stolen Kisses (1968)Mississippi Mermaid (1969) The Wild Child (1970) Bed & Board (1970) Two English Girls (1971)A Gorgeous Girl Like Me (1972) Day for Night (1973) The Story of Adele H (1975) Small Change (1976)The Man Who Loved Women (1977) The Green Room (1978)Love on the Run (1979) The Last Metro (1980)The Woman Next Door (1981)Confidentially Yours (1983)AppendixList of Works Cited Index

Anne Gillain's book is phenomenal. I dived into every page and learned a thousand things; never before had I understood the importance of Truffaut's work so well. Truffaut invented a world of cinema to which Anne Gillain has found the key.