David Scott is Associate Professor and Coordinator of the Philosophy Program at Coppin State University, Baltimore, MD, USA. Originally trained as a fine arts painter, he holds a doctorate in Literature from the University of Virginia and a doctorate in Philosophy from the University of Memphis. He is the author of Gilbert Simondon's Psychic and Collective Individuation (2014), along with several published articles and chapters on Bergson, Heidegger, Deleuze, and Merleau-Ponty, and translator of Deleuze’s first published work on Hume’s philosophy. Scott publishes on intersections of art and philosophy, as well as on race and social and political theory.

• Series PrefaceList of AbbreviationsIntroduction: Foucault's ModernismsDavid Scott, Coppin State University, USAPart 1. Conceptualizing Foucault 1. The Origin of Parresia in Foucault’s Thinking: Truth and Freedom in The History of MadnessLeonard Lawlor and Daniel J. Palumbo, Penn State University, USA2. The Secret of the Corpse-Language Machine: The Birth of the Clinic and Raymond RousselDavid Scott, Coppin State University, USA3. Intersections of the Concept and Literature in TheOrder of Things: Foucault and CanguilhemSamuel Talcott, University of the Sciences, USA4. Archeology of Knowledge: Foucault and the Time of DiscourseHeath Massey, Beloit University, USA5. Carceral, Capital, Power: The ‘Dark Side’ of the Enlightenment in Discipline and PunishChristopher Penfield, Purdue University, USA6. Foucault’s History of SexualityChloë Taylor, University of Alberta, CanadaPart 2. Foucault and Aesthetics 7. Technologies of Modernism: Historicism in Foucault and Dos PassosChristopher Breu, Illinois State University, USA8. Thought as Spirituality in Raymond RousselAnn Burlein, Hofstra University, USA9. Life Escaping: Foucault, Vitalism, and Gertrude Stein’s Life-WritingSarah Posman, Ghent University, Belgium10. The Specter of Manet: A Contribution to the Archaeology of PaintingJoseph Tanke, University of Hawaii, USA11. The Hermaphroditic Image: Modern Art, Thought and Expérience in Michel FoucaultNicole Ridgway, University of Wisconsin-Milwaukee, USAPart 3. Glossary ArchaeologyHeath Massey, Beloit College, USAThe "Author-Function"Seth Forrest, Coppin State University, USABiopowerChloë Taylor, University of Alberta, CanadaDisciplineSteve Tammelleo, University of San Diego, USAEpistemeSamuel Talcott, University of the Sciences, USAGenealogyBrad Elliot Stone, Loyola Marymount University, USAPowerBrad Elliot Stone, Loyola Marymount University, USAProblematizationDaniele Lorenzini, University Paris-Est Créteil, FranceTransgressionJanae Scholtz, Alvernia University, USATruthMarc De Kesel, Saint Paul University, CanadaSubjectivationMark Murphy, University of Glasgow, UKNotes on ContributorsIndex

Foucault’s radical and incisive analysis of modernity has had a transformative effect on our understanding of history. This wide-ranging volume allows us to connect that analysis to his more neglected account of aesthetic modernism. It gives us a fuller and richer picture of a thinker who remains indispensable.

David Scott is Associate Professor and Coordinator of the Philosophy Program at Coppin State University, Baltimore, MD, USA. Originally trained as a fine arts painter, he holds a doctorate in Literature from the University of Virginia and a doctorate in Philosophy from the University of Memphis. He is the author of Gilbert Simondon's Psychic and Collective Individuation (2014), along with several published articles and chapters on Bergson, Heidegger, Deleuze, and Merleau-Ponty, and translator of Deleuze’s first published work on Hume’s philosophy. Scott publishes on intersections of art and philosophy, as well as on race and social and political theory.

• Series PrefaceList of AbbreviationsIntroduction: Foucault's ModernismsDavid Scott, Coppin State University, USAPart 1. Conceptualizing Foucault 1. The Origin of Parresia in Foucault’s Thinking: Truth and Freedom in The History of MadnessLeonard Lawlor and Daniel J. Palumbo, Penn State University, USA2. The Secret of the Corpse-Language Machine: The Birth of the Clinic and Raymond RousselDavid Scott, Coppin State University, USA3. Intersections of the Concept and Literature in TheOrder of Things: Foucault and CanguilhemSamuel Talcott, University of the Sciences, USA4. Archeology of Knowledge: Foucault and the Time of DiscourseHeath Massey, Beloit University, USA5. Carceral, Capital, Power: The ‘Dark Side’ of the Enlightenment in Discipline and PunishChristopher Penfield, Purdue University, USA6. Foucault’s History of SexualityChloë Taylor, University of Alberta, CanadaPart 2. Foucault and Aesthetics 7. Technologies of Modernism: Historicism in Foucault and Dos PassosChristopher Breu, Illinois State University, USA8. Thought as Spirituality in Raymond RousselAnn Burlein, Hofstra University, USA9. Life Escaping: Foucault, Vitalism, and Gertrude Stein’s Life-WritingSarah Posman, Ghent University, Belgium10. The Specter of Manet: A Contribution to the Archaeology of PaintingJoseph Tanke, University of Hawaii, USA11. The Hermaphroditic Image: Modern Art, Thought and Expérience in Michel FoucaultNicole Ridgway, University of Wisconsin-Milwaukee, USAPart 3. Glossary ArchaeologyHeath Massey, Beloit College, USAThe "Author-Function"Seth Forrest, Coppin State University, USABiopowerChloë Taylor, University of Alberta, CanadaDisciplineSteve Tammelleo, University of San Diego, USAEpistemeSamuel Talcott, University of the Sciences, USAGenealogyBrad Elliot Stone, Loyola Marymount University, USAPowerBrad Elliot Stone, Loyola Marymount University, USAProblematizationDaniele Lorenzini, University Paris-Est Créteil, FranceTransgressionJanae Scholtz, Alvernia University, USATruthMarc De Kesel, Saint Paul University, CanadaSubjectivationMark Murphy, University of Glasgow, UKNotes on ContributorsIndex

Foucault’s radical and incisive analysis of modernity has had a transformative effect on our understanding of history. This wide-ranging volume allows us to connect that analysis to his more neglected account of aesthetic modernism. It gives us a fuller and richer picture of a thinker who remains indispensable.

David Scott is Associate Professor and Coordinator of the Philosophy Program at Coppin State University, Baltimore, MD, USA. Originally trained as a fine arts painter, he holds a doctorate in Literature from the University of Virginia and a doctorate in Philosophy from the University of Memphis. He is the author of Gilbert Simondon's Psychic and Collective Individuation (2014), along with several published articles and chapters on Bergson, Heidegger, Deleuze, and Merleau-Ponty, and translator of Deleuze’s first published work on Hume’s philosophy. Scott publishes on intersections of art and philosophy, as well as on race and social and political theory.

• Series PrefaceList of AbbreviationsIntroduction: Foucault's ModernismsDavid Scott, Coppin State University, USAPart 1. Conceptualizing Foucault 1. The Origin of Parresia in Foucault’s Thinking: Truth and Freedom in The History of MadnessLeonard Lawlor and Daniel J. Palumbo, Penn State University, USA2. The Secret of the Corpse-Language Machine: The Birth of the Clinic and Raymond RousselDavid Scott, Coppin State University, USA3. Intersections of the Concept and Literature in TheOrder of Things: Foucault and CanguilhemSamuel Talcott, University of the Sciences, USA4. Archeology of Knowledge: Foucault and the Time of DiscourseHeath Massey, Beloit University, USA5. Carceral, Capital, Power: The ‘Dark Side’ of the Enlightenment in Discipline and PunishChristopher Penfield, Purdue University, USA6. Foucault’s History of SexualityChloë Taylor, University of Alberta, CanadaPart 2. Foucault and Aesthetics 7. Technologies of Modernism: Historicism in Foucault and Dos PassosChristopher Breu, Illinois State University, USA8. Thought as Spirituality in Raymond RousselAnn Burlein, Hofstra University, USA9. Life Escaping: Foucault, Vitalism, and Gertrude Stein’s Life-WritingSarah Posman, Ghent University, Belgium10. The Specter of Manet: A Contribution to the Archaeology of PaintingJoseph Tanke, University of Hawaii, USA11. The Hermaphroditic Image: Modern Art, Thought and Expérience in Michel FoucaultNicole Ridgway, University of Wisconsin-Milwaukee, USAPart 3. Glossary ArchaeologyHeath Massey, Beloit College, USAThe "Author-Function"Seth Forrest, Coppin State University, USABiopowerChloë Taylor, University of Alberta, CanadaDisciplineSteve Tammelleo, University of San Diego, USAEpistemeSamuel Talcott, University of the Sciences, USAGenealogyBrad Elliot Stone, Loyola Marymount University, USAPowerBrad Elliot Stone, Loyola Marymount University, USAProblematizationDaniele Lorenzini, University Paris-Est Créteil, FranceTransgressionJanae Scholtz, Alvernia University, USATruthMarc De Kesel, Saint Paul University, CanadaSubjectivationMark Murphy, University of Glasgow, UKNotes on ContributorsIndex

Foucault’s radical and incisive analysis of modernity has had a transformative effect on our understanding of history. This wide-ranging volume allows us to connect that analysis to his more neglected account of aesthetic modernism. It gives us a fuller and richer picture of a thinker who remains indispensable.