Women's Playwriting and the Women's Movement, 1890-1918

The influence of the womens movement has long been a scholarly priority in the study of British womens drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Womens Playwriting and the Womens Movement, 18901918 is the first designated study of British womens drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and womens position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about womens rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the womens movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Womens Playwriting and the Womens Movement, 18901918 offers a new perspective which emphasizes the complexity of women playwrights engagement with first-wave feminism and links it to the diversification of the British theatre in this period.