XII sonatas of three parts

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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Bodleian Library (Oxford)

T301224

In the imprint, the words "her ma[jes]tie" are retained but Hare's name is lacking. This state does not match exactly any of those reported by Smith or RISM. "Arcangelo Corelli opera prima" transposed from head of title. Violino primo part has frontispiece port. and dedication.

London : Printed for I. Walsh servt. to her Ma[jes]tie. ... , [1705?]. 4 parts : port. ; fol