3-D Cinema and Trauma

Poetics of Remembrance and Loss

Häftad, Engelska, 2023

Av Dor Fadlon

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This book examines 3D cinema across the early 1950s, the early 1980s, and from 2009 to 2014, providing for the first time not only a connection between 3D cinema and historical trauma but also a consideration of 3D aesthetics from a cultural perspective.

Produktinformation

Utgivningsdatum2023-12-17
Mått148 x 210 x 17 mm
Vikt386 g
FormatHäftad
SpråkEngelska
Antal sidor283
FörlagSpringer International Publishing AG
ISBN9783031128233

Tillhör följande kategorier

Film inom Kultur
Media och underhållning inom Ekonomi och ledarskap

Dor Fadlon is a researcher and filmmaker exploring the intersections of cinema, technology, and culture. He holds a PhD from Victoria University of Wellington and was a Golda Meir Postdoctoral Fellow in the Noah Mozes Department of Communication and Journalism, Hebrew University Of Jerusalem. Currently Dor is a lecturer at Steve Tisch School of Film and Television, Tel Aviv University, where he offers courses on film and visual culture, including violence on screen, film and technology and 3D Cinema.

Chapter 1. Introduction.- Part I: History and Trauma in 3-D Cinema of The Fifties.- Chapter 2. They Won’t Believe It Back Home: 3-D Cinema, Trauma, and Representation.- Chapter 3. Films that Ache, Films that Injure: 3-D Cinema and The Body.- Chapter 4. Any-space-whatever and Radioactive Fossils: 3-D cinema meets Deleuze.- Part II: Digital 3-D Cinema and September 11.- Chapter 5. Which Story to Believe? Mediating Trauma in Digital 3-D Cinema.- Chapter 6. Becoming Bodies and Empowering Kinaesthesia.- Chapter 7. From Bodies to Worlding.- Chapter 8. Deleuze and The Traumatic Temporalities of Digital 3-D Cinema.- Part III: Ongoing Fascinations.- Chapter 9. Documentary and 3-D cinema: Preserving Absence.- Chapter 10. 3-D Sex.- Chapter 11. 3-D Horror Cinema of The Eighties.- Chapter 12. Conclusion.