Allegories of Kingship

This study examines issues in politics and political theory in selected works of Pedro Caldern de la Barca (16001681), the major dramatist of the middle and later decades of the seventeenth century in Spain. By analyzing secular dramas (comedias) and religious plays (autos sacramentales), Stephen Rupp demonstrates Caldern's awareness of the ideas and institutions of power in Hapsburg Spain and explores the terms of his intervention in the long debate over the principles of Christian statecraft. Through references to Rivadeneira, Saavedra Fajardo, and Quevedo, Rupp describes the anti-Machiavellian theory of kingship that informs Caldern's political theater. Rupp's argument proceeds from abstract principles of political theory to particular institutions and events at the Hapsburg court. Discussion of two comedias (La vida es sueo and La cisma de Inglaterra) and five autos (La vida es sueo, A Dios por razn de Estado, El maestrazgo del Toisn, El nuevo palacio del Retiro, and El lirio y la azucena) demonstrates Caldern's assimilation of true reason of state to providence, his attitudes concerning the conciliar system and the regime of the royal favorite or valido, and his allegorical treatment of significant state occasions.