New Apelleses and New Apollos

This book breaks new ground by illuminating the key role of verse-writing as a cultural strategy on the part of Italian Renaissance artists. It does so by undertaking a wide-ranging study of poems by painters, sculptors, architects, and goldsmiths who were active in Florence under Cosimo I and Francesco I de Medici amilieu in which many practitioners of the visual artsappropriated the literary medium to address issues related to their primary professions. New Apelleses, and New Apollosintervenes in the burgeoning scholarly discourse on the intellectual life of artists in earlymodern Italy, revealing how poetry often provides fresh insights intoart-theoretical debates, patronage questions, workshop cultures, issues of professionalidentity, and networks of personal relations.