Religion and mythology in Oscar Wilde's poem "The Sphinx"

Scholarly Paper (Advanced Seminar) aus dem Jahr 2005 im Fachbereich Anglistik - Literatur, einseitig bedruckt, Note: 1,0, Ludwig-Maximilians-Universität München (Department für Anglistik und Amerikanistik), Veranstaltung: Oscar Wilde, 28 Quellen im Literaturverzeichnis, Sprache: Englisch, Anmerkungen: Kommentar des Dozenten (nach Benotung): Ein geradezu unglaublich belesenes und wissenschaftlich akribisch gearbeitetes paper, das - in Abhebung von Bernard Fehrs Deutung - Wildes Sphinx als bewusstes Konstrukt inhaltlicher Anspielungen auf griechische und ägyptische Mythologie erweist und darüber hinaus noch verschiedene soziokulturelle bzw. psychologisch-beiographische Lesarten des Gedichts anbietet. [...] Ansonsten weist die Arbeit ein Niveau auf, das man sich bei so mancher Abschlussarbeit wünschen würde. Congratulations! , Abstract: Introduction A poet is sitting in his room beside a Sphinx. Within the poem the Sphinx forms his main focus of interest, his whole attention belongs to her: a cheap souvenir from some street corner. But inside of the poet's room the Sphinx no longer remains a little piece of stone but, right in front of his eyes, becomes a real-life Sphinx - the age-old female demon of death, who besieged the city of Thebes as a punishment for the king of Thebes who introduced homosexual love into Greek culture and thus incured Hera's hatred. The Sphinx, one of Oscar Wilde's most enchanting poems, is woven out of a net of various mythological beliefs and religious ideas. Wilde invokes a hotch-potch of varying creatures, who convey a magical atmosphere of ancient grandeur. In order to understand the poem one has to get to know the concepts that stand behind the various mythical creatures, gods and heroes. Therefore I will explain to which mythologies Wilde relates to and how they refer to each other. In this connection the time of Oscar Wilde has to be taken into consideration, too: Victorianism, with its crumbling of old values and conquering of new worlds; the period of decadence; the period of aestheticism. I would like to show some of the multitude of possible accesses, e.g. the identification of the Sphinx with the figure of the femme fatale; the personification of the Sphinx as the temptations and desires of the poet respectively The Sphinx as a metaphor for the loss of Christian faith in Victorian culture.