Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present

Andrzej Rozwadowski is Associate Professor at the Adam Mickiewicz University in Poznań, Poland, where he also completed his PhD. He is also an honorary Research Fellow of the Rock Art Research Institute of Wits in Johannesburg and has been involved in rock art research since the 1990s. ; Jamie Hampson is a Senior Lecturer in the Humanities Department at the University of Exeter. He has a PhD and MPhil in archaeology from the University of Cambridge. He has written more than forty articles on Indigenous rock art and heritage.

• A Brief Note about the Editors ; Using Rock Art to Reconnect Past and Present: An Introduction – Andrzej Rozwadowski and Jamie Hampson ; Indigenous Art in New Contexts: Inspiration or Appropriation? – Jamie Hampson and Rory Weaver ; The Cave of Altamira and Modern Artistic Creation – Pilar Fatás Monforte ; Joane Cardinal–Schubert: Ancient Contemporary – Alisdair MacRae ; Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia – Andrzej Rozwadowski and Magdalena Boniec ; Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art – Marisa Giorgi and Dale Harding ; PalimpsGestures: Rock Art and the Recreation of Body Expression – Lina do Carmo ; In the Name of the Ancestors: Repainted Identities and Land Memories – Laura Teresa Tenti ; Muraycoko Wuyta’a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia – the Case of the Munduruku People from the Tapajos River – Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle ; Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand’s Most Renowned Māori Rock Art – Gerard O’Regan [Open Access: Download]; Reproduction, Simulation and the Hyperreal: A Case Study of ‘Lascaux III’ 2015–2017 – Robert J. Wallis

'This is a fascinating book that breathes new life into a subject dominated so long by traditional exegetic interpretations of prehistoric rock art which have achieved little collective consensus, although it is fair to say they have advanced our understanding. It is illustrated with beautiful and vibrant images throughout, and its anthropological/ethnoarchaeological approach is highly commended.'—Mark Merrony (2021): ANTIQVVS, Volume 3, Issue 4