Women’s literary histories usually start in the later Middle Ages, but recent scholarship has shown that actually women were at the heart of the emergence of the English literary tradition. Women, Writing and Religion in England and Beyond, 650–1100 focuses on the period before the so-called ‘Barking Renaissance’ of women’s writing in the 12th century. By examining the surviving evidence of women’s authorship, as well as the evidence of women’s engagement with literary culture more widely, Diane Watt argues that early women’s writing was often lost, suppressed, or deliberately destroyed. In particular she considers the different forms of male ‘overwriting’, to which she ascribes the multiple connotations of ‘destruction’, ‘preservation’, ‘control’ and ‘suppression’. She uses the term to describe the complex relationship between male authors and their female subjects to capture the ways in which texts can attempt to control and circumscribe female autonomy.Written by one of the leading experts in medieval women’s writing, Women, Writing and Religion in England and Beyond, 650–1100 examines women’s literary engagement in monasteries such as Ely, Whitby, Barking and Wilton Abbey, as well as letters and hagiographies from the 8th and 9th centuries. Diane Watt provides a much-needed look at women’s writing in the early medieval period that is crucial to understanding women’s literary history more broadly.
Diane Watt is Professor of English at the University of Surrey, UK. Her previous books include The History of British Women’s Writing, 700 to 1500 (2012, co-edited with Liz Herbert McAvoy), and Medieval Women’s Writing: Works by and for Women in England, 1100–1500 (2007).
List of Illustrations Acknowledgements Note on Texts and Translations General Map Introduction 1 Women’s Literary Communities at Ely and Whitby 2 Women Writing at Barking and Minster-in-Thanet 3 Missionary Women’s Letters and Poetry 4 Exemplary Missionary Lives 5 (Re)writing Women’s History at Wilton Abbey 6 Textual Intimacies in and beyond Wilton Coda Notes Bibliography Index
[A] sustained and compelling case for the critical role played by women in the literary culture of the early medieval period. Widely lauded for its detective work, Watt’s book not only presents the fruits of her investigation by highlighting and bringing to our attention women and works that have been overlooked, the book also demonstrates the investigativemethods and speculative processes that enable, and indeed necessitate, a recalibration of academic perspective toward the period.